Putting their mutual hatred aside, Olive and Ethan head for paradise. When the entire wedding - except for Olive and Ethan - gets food poisoning, there's an all-expenses-paid honeymoon in Hawaii up for grabs. While she's about to marry her dream man, Olive is forced to play nice with her nemesis: the best man, Ethan. The Unhoneymooners, from £1.99, Amazon SHOP NOWĬover blurb: "Olive is always unlucky her identical twin sister Ami, on the other hand, is probably the luckiest person in the world. There is no sugar coating the pure emotion and the chemistry is off the scale." The story is so perfectly balanced, it's angsty, beautiful, ugly, honest and completely raw. I fell in love with the way Colleen completely shattered my heart and then slowly pieced it back together, I love that I lost myself in all that was unfolding before my eyes and like a starved animal, I devoured it all. I was completely swept up in Miles and Tate's amazing story. How have I never met Miles Mikel Archer before? Seriously how? Ugly Love has not only stolen a little piece of my heart but maybe the whole damn thing. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her." He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Once their desires are out in the open, they realise they have the perfect set-up. The only thing Tate and Miles have in common is an undeniable mutual attraction. They wouldn’t even go so far as to consider themselves friends. I’d rather get on and maybe write another book.Cover blurb: "When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight.
It’s not something that I spend hours pondering. What happened to was just like “Woah!” I just thought I’d continue working in television and getting on with my life and then wham, this juggernaut hit me in terms of the success of the book. But that’s not a conversation that I’m comfortable being in because that wasn’t my intention in my writing it. We’ll have to see what happens with The Mister. Other people put it wherever they see fit, and people can only view stuff through the prism of their own experiences. I’m there to entertain people and make them escape daily life, that’s all I want to do.
It’s not a conversation that I particularly want to be a part of. Romance as a genre comes with a lot of stereotypes and fraught things – whether that be that it’s not well-written, issues of consent on the page, and this question of how we belittle culture made primarily for women – where do you feel your work fits into that conversation and those issues?
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